Dr. Mohd Nasir Hashim is a prominent figure in the University's music arena.  Having served the Cultural Centre in University of Malaya for 32 years, he is a seasoned musician specializing in composition, orchestration and music technology.  Upon graduation from the Mara Institute of Technology (UiTM) in Music, Dr. Nasir later obtained his post graduate degrees at the University of Southampton, United Kingdom. Dr. Nasir also studied under the tutelage of Andrew Llyod Webber in writing scores for musical broadways.  His affiliations with the Cultural Centre began when he was appointed as a Cultural Affairs Officer.  He is today an Associate Professor at the Music Department. Since his postgraduate days, Dr. Nasir has been actively involved in the orchestra both locally and internationally.  During his days at the University of Southampton, Dr. Nasir taught and arranged orchestration on a part-time basic.  In addition, he was also the music director and deputy conductor of a jazz band and a symphony orchestra. It was at time that Dr. Nasir performed alongside the world-renowned composer, Dave Brubek. He toured with Dave Brubeck, the accomplished jazz composer and his big band orchestra in UK and USA. Dr Nasir also participate in several music camps such as the National Music Camps, Asian Music Camp and World Music Camp where he performed as he principal trumpet player. Dr. Nasir was a guest conductor with the London Guildhall Jazz Orchestra. As a result of his wide exposure in UK in conducting and arranging, he believes that whilst every genre of music is special, music can be used as a conduit for the University to reach out to members of society. Apart from conducting, he also copies songs for recording artistes and film soundtracks.  He has composed and arranged numerous scores of various genres for the orchestra. He plays the trumpet, accordion, guitar, piano and a number of traditional instruments.  His involvement in Malay traditional music, Western Jazz, Rock, Rock and Symphony Orchestra gives in a special edge into these genres.  At present Dr. Nasir is also actively producing scores and CDs for publication by the University od Malaya.  He conducts workshop, camps and lectures across the region, with a hope that music can be performed an appreciated as a discipline as well as for leisure.

Marlenny Deenerwan, holds a doctorate degree in Theatre Performance from Monash University, Australia (2016), Master of Arts (2011) and a Bachelor of Performing Arts in Drama (2007) from the Universiti Malaya, and received a Diploma of Creative Writing of the National Arts Academy currently known as ASWARA (2002). Prior to entering academia, she served as a teacher at SM Shan Tao Kota Kinabalu Sabah (1995-1997) and also was a sub-editor at Daily Express Sabah (1997-1998). As an academic, her research spans the field of Malaysian traditional and rituals theatre; Bobolian rituals in Sabah, the traditional theater of Wayang Kulit, Makyong, and Bangsawan, research on the Minang community in Kuala Lumpur and the Kaul event of the Melanau community in Mukah. Her recent research focusing on developing interactive theater as an alternative to teaching and learning for young children in rural areas by conducting a field work at SK Pekan Ranau, Sabah. An active creative writer since 1999, Marlenny has published over 20 scripts of modern stage dramas and adaptations (Nur, Dari M ke M, Rumah Lama Kampung Baru, Melati & Melur, YB Jee, Lina & Lijah, No Smoking Please etc), dozens television dramas since 2003 (Haryati II, Dilema Wanita, Kasihnya Di Bawah Bayu, Igauan Semalam etc), besides also contributing to documentary writing, tv promos, newspaper articles/ criticism, short stories, poems, and song lyrics. She has also been prolific in producing Bangsawan scripts since 2007 to date.She involves actively as an actor, director, and stage drama producer since 1998. Her play directing works including Rumah Lama Kampung Baru, Melati & Melur, No Smoking Please, Rachel Corrie, The Glass Menageries, The Zoo Story, Bangsawan Anak Raja Anak Papa (The Prince and The Pauper), Zhao Si Anak Yatim, Asiah Samiah and Bangsawan Hikayat Si Miskin Menjadi Raja. She is the co-founder of the theatre group Mekar Budaya since 2002 as well as the Bangsawan Opera Sri Bandaraya group under the organization of the Kuala Lumpur City Hall since 2008. She won the Best Actress award at the Malaysian Theater Festival 2003, Best Director of the Kuala Lumpur Theater Festival 2009, and was the recipient of the Young Theater Artist Award from the Selangor State Government in 2010. She was appointed as the Head of Jury of the Malaysian Theater Festival 2016 by the National Department for Culture and Arts, and served as the Head of Jury for Universiti Malaya's Theatre Carnival (Kaviter UM) since 2017-2020.Marlenny has published a book entitled "Bobolian Seni Teater Etnik Dusun", and is currently in the process of producing a book entitled "Tertib dan Masyhur: Estetika Bangsawan Malaysia". Throughout her activities with NGOs, Marlenny was the former President of the ASWARA Alumni Association 2015-2018, and is currently the Chairperson of the Persatuan Rumpun Seni Mekar Budaya Kuala Lumpur (since 2020), besides maintaining her membership with Ikatan Penulis Sabah since 1992.

Ong Zhi Chao, received both his Bachelor degree in Mechanical Engineering (2007) and Master of Engineering Science degree in vibration and rotor dynamics (2010) from University of Malaya, Malaysia with distinction. He obtained his Ph.D. degree in University of Malaya in March, 2013. His expertise includes vibration, modal analysis, rotor dynamics, virtual instrumentation and signal processing, fault diagnostics, energy harvesting, Artificial Intelligence, computational mechanics. He is active in research and developed a new vibration testing technique named as Impact-Synchronous Modal Analysis (ISMA) which has been implemented in teaching, research and real industrial cases. Dr. Ong has been involved in numerous industrial projects on machinery vibration at both on-shore and off-shore petrochemical and oil and gas processing plants in Malaysia since 2008. He is appointed as Technical Consultant by several local companies to provide comprehensive range of advanced machinery diagnostic consultancy, project planning and management to ensure safe and smooth project implementation. He also has experiences in conducting machinery vibration training courses for engineers and technicians from oil and gas industry. He is a certified trainer/ assessor for Vibration Practitioner/ Specialist Certification Program based on ISO18436 by Institute of Materials, Malaysia (IMM). Dr. Ong was appointed as visiting research fellow of Faculty of Science and Technology at Bournemouth University in 2014 for the tenure of 3 years. He is also a Chartered Engineer of Engineering Council, UK under the membership of Institution of Mechanical Engineers, UK since 2014. He became the corporate member of Institution of Engineers, Malaysia (IEM) and has successfully registered as Professional Engineer (P.Eng) with Board of Engineers Malaysia (BEM) in 2016. He is an active committee member of Institute of Materials, Malaysia (IMM) Vibration Committee and Young Professionals Committee since 2015, and had partake as a speaker to share his experience in vibrations in several seminars and conferences organized by the committees. Dr. Ong is currently serving as visiting research professor of Faculty of Science and Technology at Bournemouth University, UK until 2023. In 2021, he registered as ASEAN Chartered Professional Engineer (ACPE) under Chartered Professional Engineer Coordinating Committee (ACPECC).