Evelyn S. DEVADASON is a Professor at the Faculty of Business & Economics, University of Malaya, Kuala Lumpur, Malaysia. Her previous positions include Head, Centre for Latin American Studies (CLAS, 15/7/2013 - 31/12/2014) and Deputy Dean (Research and Development, 9/9/2012 - 14/7/2013), Faculty of Economics and Administration. She received her Ph.D. (Economics) from the University of Malaya in 2006 and M.Soc.Sci. (Economics) from the National University of Singapore in 1992. Her research focuses on international trade and regional integration. Her research work has seen print in international journals (indexed in SSCI and AHCI) such as the World Development, The China Review, India Review, The Pacific Review,  Journal of Contemporary Asia, Journal of Contemporary China, Journal of International Development, Emerging Markets Finance and Trade, Asian Economic Journal, Global Economic Review, Singapore Economic Review, Asia Pacific Education Review, Social Indicators Research, Technological and Economic Development of Economy, Total Quality Management and Business Excellence and Environment Science and Pollution Research. In 2023, she received two prestigious appointments at the international level - Member to the Board of Directors, East Asian Economic Association (EAEA); and Malaysian Representative to the Pacific Trade and Development (PAFTAD) International Steering Committee (ISC). She currently serves as Associate Editor to the International Journal of Social Economics (Emerald) and Asian Economic Journal (Wiley). and member to the Editorial Boards of the Journal of Contemporary Asia (Taylor & Francis) and the International Journal of Rural Management (SAGE). She was also a member to the Editorial Boards of two local journals, the Institutions and Economies (previously a Deputy Editor, 17/3/2017 - 31/12/2020) and the International Journal of China Studies. She has been engaged in a number of international and local collaborative research projects, including the International Confederation of Free Trade Unions-Asian and Pacific Regional Organization (ICFTU-APRO, Singapore), Asian Development Bank Institute (ADBI, Japan), the Asian Development Bank (ADB, Manila), World Bank (WB, Washington DC), the Malaysian Competition Commission (MyCC, Kuala Lumpur), ERIA-UNCTAD (Economic Research Institute of East Asia  - United Nations Conference on Trade and Development, Jakarta), Open Economy and Trade Research Centre of Shanghai Lixin University of Commerce (People's Republic of China), Food Industry Asia (FIA, Singapore), United Nations Environment Programme-Denmark Technical University (UNEP-DTU) and the European Union H2020 Research and Innovation Framework Programme on Competing Regional Integration in Southeast Asia (CRISEA).

Syafiq Faliq Alfan, also known as Sefa, is a performing artist, educator, and cultural researcher deeply interested in the discourse on the history of Asian Traditional Performing Arts from the perspective of Cultural Evolution Theory. He earned his Doctoral Degree from the Faculty of Integrated Arts and Science at Hiroshima University, Japan, in 2022 through his research on the methodological construction of analysis towards traditional dance of Mak Yong and Noh using motion capture technology. As an artist, Sefa has been a member of the Ipoh artist collective called Projek Rabak since 2011, where he currently serves as the director. Since 2007, he has actively participated in numerous local and international performances, focusing on the intersection of Corporeal Mime by Etienne Decroux and the improvisational techniques of Malaysian traditional performing arts. His interest in performance research centers around the body as subject and its entanglement with elements within its environment including space, audience and technology. Sefa is also a creative writer, with notable works such as 'Melankolia Bisu' (2014) and 'Novel Eksperimental' (2013), among others. Currently, his research interests revolve around the pragmatism philosophy and philosophy of history to enhance the historical narrative in Mak Yong and other Malaysian performing arts. He believes that further enriching the discourse in Malaysian traditional performing arts will lead to a better understanding of its role in shaping the identity of the local community. He is also interested in looking at Digital Humanities within the intersection of discussion in aesthetics, ecology, local wisdom, identity formation and arts biomechanics through the use of media and technology (specifically motion capture technology) to understand various experiences and cultures.  As a cultural research critical generalist, he believes the role of the performing arts extends beyond the discourse of performativity and should include discussion on the issues of sustainability, environmental impact, socio-economic, education, architecture, technology, among others.  Potential postgraduate students should be prepared to have an integrated approach in mind to provide practical and high impact solutions in research for the benefit of society.

Dr. Adilah binti Abdul Ghapor is a Senior Lecturer at the Department of Decision Science, Faculty of Business and Economics, Universiti Malaya in Kuala Lumpur. She completed her Bachelor's Degree in Mathematical Statistics from Purdue University, Indiana, and obtained her Doctoral Degree from Universiti Malaya. Her research interest is in Statistical Modeling in Mathematical Sciences, focusing on Missing Values, Outliers, and Parameter Estimation. She also works on the application of statistics, which includes socio-economic impact assessment and issues related to the gig economy.