Dr. Juliana Usman is an Associate Professor from the Department of Biomedical Engineering, Universiti Malaya. She is a member of the Centre for Applied Biomechanics, UM and the appointed secretary for the Malaysian Society of Biomechanics. She had served as the Head of the Biomedical Engineering Department in the Faculty of Engineering, Universiti Malaya from 2019 to 2021. She is a certified Chartered Engineer (CEng) from the Engineering Council of UK and a member of the Institute of Engineering and Technology (UK) and the Board of Engineers (Malaysia). Her research areas are in Sports Biomechanics (Injury Prevention and Performance Enhancement) and in Biomechanics and Motion Analysis. Dr Juliana has been active in research and in obtaining research grants from internal and external resources with 10 grants as the Principal Investigator (PI) and 11 as co-PI totalling to about RM1.5M in research grants. Her research include researches on knee OA biomechanics analysis and intervention, biomechanical investigations on driving simulation including lower limb contributions, muscle fatigue during heavy traffic situation, various biomechanics analysis in sports ie. badminton, bowling, rugby, table tennis, sepak takraw, and also researches on shoulder injury analysis and prevention. Currently she is collaborating with OGAWA and GOODNITE  to investigate the effectiveness of massage chairs on multiple disorders and on sleep study and different mattress specifications. Due to her expertise she has been invited as keynote and invited speakers as well as forum panels at international and local conferences and as experts in various media platforms. She has completed supervision of 4 PhD and 7 Masters students, and currently supervising 4 PhD and 5 Masters candidates.    

Mahmoud Zakaria Ibrahim is a Lecturer at University of Malaya since 2023. He obtained his BSc and MSc in Mechanical Engineering from Ain Shams University, then he obtained his PhD from University of Malaya in 2019. He served as a Postdoctoral fellow at University of Malaya for two years from 2021. He has a background in manufacturing and materials engineering. Now he focuses on the field of amorphous metals, surface engineering and metal additive manufacturing. He established a research collaboration with international institutions in Taiwan, Egypt, Saudi Arabia, UK and Austria. During his career, he has successfully secured 6 international grants and 3 national and internal grants worth more than USD 135k and published more than 20 articles in WoS and Scopus indexed journals with h-index 11.

Marlenny Deenerwan holds a PhD in Theatre Performance from Monash University, Australia (2016), a Master of Arts (2011) and a Bachelor of Performing Arts in Drama (2007) from Universiti Malaya and a Diploma in Creative Writing from the National Arts Academy, now known as ASWARA (2002).  Before entering the academic world, she was a teacher at SM Shan Tao Kota Kinabalu Sabah and worked as a sub-editor at Daily Express Sabah. As an academic, her research is in the field of Malaysian traditional and ritual theatre: Bobolian rituals in Sabah, the traditional theatre of Wayang Kulit, Makyong and Bangsawan, research on the Minang community in Kuala Lumpur and the Kaul event of the Melanau community in Mukah. Her most recent research focused on the development of interactive theatre as an alternative to teaching and learning in primary school. This project started in 2017 in a rural school in SK Pekan Ranau, Sabah under the UMRG grant and was further developed into a DraFDidik module. This is a teaching and learning method using drama/theatre for passive children that was tested in five primary schools in the Klang Valley in 2023, funded by a UMCares grant. In November 2023, Marlenny won Silver Award in International Education Innovation Expo 2023 through the project DraFDidik. Marlenny has been a creative writer since 1999 and has published over 20 scripts for modern stage dramas and adaptations (Nur, Dari M ke M, Rumah Lama Kampung Baru, Melati & Melur, YB Jee, Lina & Lijah, No Smoking Please, Lima Bersaudara, Anak Raja Anak Papa, Zhao Si Anak Yatim, Hikayat Si Miskin Menjadi Raja, Elyas Emas, Perempuan-Perempuan Kampong Bharu, Transit Borneo-Malaya etc.), dozens of TV dramas since 2003 (Haryati II, Dilema Wanita, Kasihnya Di Bawah Bayu, Igauan Semalam, etc.). She also writes documentaries, television commercials, newspaper articles/critiques, short stories, poems and song lyrics. She has worked as an actress, director and theatre producer since 1998. Her directing credits include Rumah Lama Kampung Baru, Melati & Melur, No Smoking Please, Rachel Corrie, The Glass Menageries, The Zoo Story, Bangsawan Anak Raja Anak Papa (The Prince and The Pauper), Zhao Si Anak Yatim, Asiah Samiah, Hikayat Si Miskin Menjadi Raja, Bangku, Saya... Dari Hujung Kota, Transit Borneo-Malaya, Wanita dan Senjatanya and Sirih Bertepuk Pinang Menari. She co-founded the theater group Mekar Budaya in 2002 as well as the group Bangsawan Opera Sri Bandaraya under the patronage of Kuala Lumpur City Hall in 2008. She won the Best Actress Award at the Malaysian Theater Festival 2003, the Best Director Award at the Kuala Lumpur Theater Festival 2009 and was awarded the Young Theater Artist Award by the Selangor State Government in 2010. Her Bangsawan script Lima Bersaudara was recorded in the Malaysia Book of Record as the first bangsawan for children in 2010. She was appointed by the National Ministry of Culture and Arts as the Head of Jury for the 2016 Malaysian Theater Festival. She was the Head of Jury for the Universiti Malaya (Kaviter UM) Theater Carnival from 2017 to 2024.  Marlenny has published a book titled "Bobolian Seni Teater Etnik Dusun" (2015, JKKN), "Siri Teater Muzikal" (2024, DBP), and is currently writing a book titled "Seni Teater Bangsawan" (DBP). During her stint with the NGOs, Marlenny was the former President of the ASWARA Alumni Association 2015-2018 and is currently the Chairperson of Persatuan Rumpun Seni Mekar Budaya Kuala Lumpur (since 2020). She has also been a member of Ikatan Penulis Sabah since 1992. Recently, she received Anugerah Khas Cendekia (Seni Teater) in Dewan Bahasa dan Pustaka Kuala Lumpur.