Loo Fung Ying is Associate Professor at the Department of Music, Faculty of Creative Arts, Universiti Malaya and she teaches ethnomusicology and research methodology. After obtaining her Fellowship (Trinity College of London) and Bachelor of Music (Hons) in piano performance (Universiti Putra Malaysia), she furthered her music study at the Royal Welsh College of Music and Drama, where she received her Master of Music in Piano Performance with distinction. She studied piano under Michael Schreider, Barno Khaknazarov, Larisa Rakhmanova, and Lillian Joseph, and had master classes conducted by Artur Pizzaro, Boris Berman, Irina Osipova, Julian Jacobson, Richard MacMahon, Olga Malissova, and Ng Chong Lim. As a pianist, her performances locally and abroad included the first piano concertos of Beethoven and Tchaikovsky under the baton of Zakhid Khaknazarov, recitals at St. John’s Smith Square and St. Martin-in-the-Fields, and a recording for Ceri Richard’s Themes and Variations published by National Museums and Galleries of Wales, UK.

Fung Ying continues to pursue research in music and completed her PhD at the University of Sheffield, UK in 2009. Her research interests include cultural musicology, performance practice, popular music, music and movement perception, and Tai Chi in application to the physicality of piano performance.  She joined Universiti Malaya in 2009 and has published over sixty refereed articles and book chapters. Her work has appeared in International Review of the Aesthetics and Sociology of Music, Muzikološki Zbornik, Revista Música Hodie, Asian Theatre Journal, International Journal of Music Education, IEEE Multimedia, Media Watch, and other publications. Her research has been supported by grants from the Ministry of Higher Education, Universiti Malaya, and Universiti Putra Malaysia, and won her gold and silver awards at local and international research exhibitions. She is a member of the International Editorial Board of eTropic and Media Watch. She has held positions such as Deputy Director (Postgraduate study and Research) of Cultural Centre (now Faculty of Creative Arts), Universiti Malaya from 2010 to 2018, Chair of Academic Programmes Accreditation Panel for PhD, Master’s, and Bachelor degree level (Malaysian Qualifications Agency), Internal Auditor of MYRA (Malaysia Research Assessment, Ministry of Higher Education), and Associate Editor of Malaysian Journal of Performing and Visual Arts.

As an active composer and musician with the multiple award-winning Dama Orchestra (now Dama Asia Productions) from 2001 to 2016, she has over twenty productions to date, five albums and three sold-out musicals: Empress Wu, I Have a Date with Spring and Butterfly Lovers. In addition, her composition titled Freedom won second prize at the 2022 Seoul International Meditation Music Competition.