Trained in Cultural Studies, I am a researcher engaging in interdisciplinary research on culture. My research is primarily concerned with the cultural history of modern and contemporary China through the lens of ‘folk’ or minjian. In particular, I am interested in how ‘folk’ has been discursively constructed by the state and intellectuals throughout the 20th century, and how it continues to be represented at heritage sites, folk art museums, folk art fairs, as well as contemporary art exhibitions in the 21st century. My interdisciplinary PhD training in Cultural Studies in Asia at the National University of Singapore has taught me to be a questioner, committed to promoting critical and creative thinking as a mode of living beyond academia.

Being a practitioner of critical pedagogy, I always problematize preconceived ideas that have shaped our understandings of the world. As a lecturer, I believe that classroom is where knowledge is produced and challenged through productive dialogues between teachers and students. Besides teaching in the classroom, I am also an active listener keen on translating students’ personal experience and knowledge into discussion materials. Critical discussion could help students reflect upon how our perception of the world is sociologically constructed. Students are not passive learners but knowledge producers. My role as a teacher is to acknowledge students’ opinions as knowledge and situate their knowledge within a larger socio-political, economic, and cultural contexts so as to allow them to scrutinize their common sense.