Curriculum Vitae

DR. SYAFIQ FALIQ BIN ALFAN

Senior Lecturer
  • Dean's Office
    Faculty of Creative Arts
  • sefalfan
  • +0379673454

BIOGRAPHY


Syafiq Faliq Alfan, also known as Sefa, is a performing artist, educator, and cultural researcher deeply interested in the discourse on the history of Asian Traditional Performing Arts from the perspective of Cultural Evolution Theory. He earned his Doctoral Degree from the Faculty of Integrated Arts and Science at Hiroshima University, Japan, in 2022 through his research on the methodological construction of analysis towards traditional dance of Mak Yong and Noh using motion capture technology.

As an artist, Sefa has been a member of the Ipoh artist collective called Projek Rabak since 2011, where he currently serves as the director. Since 2007, he has actively participated in numerous local and international performances, focusing on the intersection of Corporeal Mime by Etienne Decroux and the improvisational techniques of Malaysian traditional performing arts. His interest in performance research centers around the body as subject and its entanglement with elements within its environment including space, audience and technology.

Sefa is also a creative writer, with notable works such as 'Melankolia Bisu' (2014) and 'Novel Eksperimental' (2013), among others.

Currently, his research interests revolve around the pragmatism philosophy and philosophy of history to enhance the historical narrative in Mak Yong and other Malaysian performing arts. He believes that further enriching the discourse in Malaysian traditional performing arts will lead to a better understanding of its role in shaping the identity of the local community.

He is also interested in looking at Digital Humanities within the intersection of discussion in aesthetics, ecology, local wisdom, identity formation and arts biomechanics through the use of media and technology (specifically motion capture technology) to understand various experiences and cultures. 

As a cultural research critical generalist, he believes the role of the performing arts extends beyond the discourse of performativity and should include discussion on the issues of sustainability, environmental impact, socio-economic, education, architecture, technology, among others. 

Potential postgraduate students should be prepared to have an integrated approach in mind to provide practical and high impact solutions in research for the benefit of society.

AREAS OF EXPERTISE


  • PRAGMATISM PHILOSOPHY
  • CULTURAL EVOLUTION
  • MIME THEATRE
  • MOTION CAPTURE IN PERFORMING ARTS
  • JAPANESE NOH THEATRE
  • SOUTHEAST ASIAN TRADITIONAL THEATRE
  • TRADITIONAL PERFORMING ARTS

ACADEMIC QUALIFICATION


  • PhD.A.Sc, (Law, Arts & Science)
    Hiroshima University, Japan
  • M.PA, (DRAMA)
    Universiti Malaya (UM)
  • B.EM, (Mechanical Engineering)
    Universiti Teknologi Petronas (Utp)

MEMBERSHIPS


  • (NSID-088-28032023), PRESIDENT/ CHIEF
    2023 to present (International)

PUBLICATIONS


Article in Journal
  1. Alfan, S. F. (2021). The Manifestation of Global Southeast Asian Maritime Networks Through Mak Yong: An Observation on Possible Chinese Connection. Southeast Asia: Statecraft in Motion, 67.
  2. Alfan, S. F. (2020). Sustaining Mak Yong Main Puteri in Raman: A Discussion of its Existence in Cultural Evolutionary Thread. Jurai Sembah, 1(2), 1 13. https://doi.org/10.37134/juraisembah.vol1.2.1.2020

RESEARCH INTEREST


  • Philosophy (Pragmatism, Peirce, Joas, Dewey)
  • Digital Humanities (Digital Humanities)
  • Arts Biomechanics (Motion Capture)
  • ArtScience (Art and Science)
  • Sustainable Development Goals in Creative Industry (SDG, Sustainable Practice)
  • Socio-Spatial Aesthetic (Lefebvre, Stanger)
  • Sociology in Performing Arts (Sociology)
  • Malaysian Performing Arts History (History, Philosophy of History)
  • Integrated Studies (Integrated)
  • Practice as Research in Performing Arts (PaR)
  • Aesthetics in Performing Arts (Aesthetics)

RESEARCH PROJECT


National
  1. 2023 - 2025, Bantuan Khas Penyelidikan (BKP Special)
    Preserving Memories Beyond Border: Historical Narratives of Mak Yong Through Early 20th - Century Photographic Sources ( Principal Investigator(PI))
  2. 2024 - 2024, Dana Kreatif Perak
    Tubuh-Rumah, Kampung Karyawan Amanjaya Sdn. Bhd ( Principal Investigator(PI))

ACADEMIC/PROF. SERVICES


Evaluation
  1. (2024) Strategies for The Protection of Shandong Qinshu as An Intangible Cultural Heritage in China from The Perspective of Audience Development, International, (Reviewer)
  2. (2024) Enhancing Inclusivity: Exploring Accessibility in Shadow Puppetry Performances, International, (Reviewer)
Contribution to event
  1. (2023) 'Hello Manusia' Performance (Solo Mime Performance), International, (Participant)
  2. (2023) Mime Workshop, International, (Course Facilitator)